Pascal Flammer created this timber house in Balsthal. There are two principal floors; one set 75 cm below the earth, one 1.50 m above. The ground floor consists of one single family room with a noticeably low horizontal ceiling. In this space there is a physical connection with the nature outside the continuous windows.
The space above is the inverse. This floor is divided into four equal rooms with 6m high ceilings. The height defines the space. Large windows open to composed views of the wheat field. Whereas the ground floor is about connecting with the visceral nature of the context, the floor above is about observing nature – a more distant and cerebral activity.
So yeah, Kalen Hollomon is amazing. The rising artist has taken her brilliant collaging to New York City’s streets and its underground, superimposing clippings from fashion and vintage porno magazines onto unsuspecting subway riders and mundane city scenes.
Hââbre, the last generation
1. Ms. Djeneba : ” I used to like my scars; they were beautiful. We used to brag about them. But, now, in the city, it is definitely out of fashion.”
2. Mrs. Sinou : “I refuse to do it to my children. This will stay on my face only.”
3.Mr. Konabé : “Our parents did this not to get lost in life. When you went somewhere, you could not get lost.”
4. Mr. Lawal : “It is here in town that I am ‘nobody’. In the village, I am a noble; people bow down when they see my face! I am proud of that.”
5. Mr. Salbre : “ I do not want this for my children. We are the last generation “
6. Ms. Martine : “When I was 10 years, I asked for them. I wanted to be like my brothers and sisters, and to show that I am courageous. “
7. Mr. Guemi : “I already wear my identity card on my face. This is the reason why people did it : to recognize one another. But now, this is over. We can no more be recognized.”
this is somewhere between mildly concerning and absolutely hysterical that this is a real problem